Audio Technica M3 Bedienungsanleitung

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Wireless In-Ear Monitor System
M3 System
Features
High-delity sound with clean, articulate mix allows performers
to hear themselves clearly at lower volume
Three receiver modes: Personal Mix, stereo, and mono
Personal Mix Control allows volume and mix control of two
independent signals at the receiver
Auxiliary input (switchable) on receiver offers connection point for
ambient microphone, click track, or other mic- or line-level input
Up to 1321 selectable UHF frequencies with automatic
frequency scanning
Up to 16 simultaneous systems per frequency band
LCD information display offers step-through menus for
setting preferences
XLR loop output (true pass-through) connects signal to mixing
console, additional IEM system or recording device
Multi-level limiter (defeatable) helps protect hearing from
sudden peaks
Description
The M3 is a frequency-agile in-ear monitor system designed to make
stage monitoring more effective, comfortable, portable, and intelligible.
This rugged, feature-rich system is built to stand up to the inevitable
bumps of life on the road, delivering clear, natural sound for touring and
installed-sound applications.
The M3R Stereo Receiver allows the user to create and control his/her
own mix on stage with Personal Mix Control that offers independent
control of volume and mix of two independent signals at the receiver.
The clean, articulate mix allows performers to hear themselves at
comfortable SPL levels.
The wireless UHF M3T Stereo Transmitter provides a choice of up to
1321 selectable frequencies and is equipped with two XLR-
1
/
4
" combina-
tion input jacks into which users can connect line-level inputs from a
mixing console or other audio source. While up to 16 complete M3
systems may be used on stage simultaneously, any number of M3R
stereo receivers may be used on the same frequency with a single M3T
stereo transmitter.
The transmitter inputs are equipped with loop-through outputs allowing
the audio signal to pass through to another transmitter or device. Two
selectable RF output levels on the transmitter allow it to operate success-
fully on small or large stages or in conjunction with other RF equipment
such as wireless microphones and other IEM systems.
Easy-to-use front panel soft-touch transmitter controls and a menu-driven
LCD display provide direct access to the transmitter's conguration
settings. Along with setup information, the LCD provides real-time visual
indication of the current transmission frequency and audio levels.
Additionally, a front panel headphone jack with level control allows the
user to monitor the transmitter input signals directly. The rear mounted
transmitter antenna is detachable and uses a standard BNC connector
allowing the system to operate with external antennas and accessories.
A built-in scanning function enables the receiver to quickly nd an open
available frequency, or the frequency can be set manually.
Using the soft-touch controls, the receiver can be congured for one of
three operation modes. Mono mode supplies a mono signal to both ears
while stereo mode supplies a true stereo feed with balance control to the
ears. The third mode, Personal Mix, enables the user to control the
balance between two mono sources providing an on-stage mix control at
the receiver. Additionally, a switchable local input is provided for inserting
a signal into the receiver. Switchable between mic and line level, this
input is typically used with a small ambient microphone worn by the
performer. The input can also be used to add in a click track or other audio
signal at line or mic level. The auxiliary input level is easily set using the
receiver’s soft-touch controls.
The receiver incorporates a built-in three-stage limiter to help protect the
user's hearing from sudden audio peaks. The three stages allow the user
to adjust for the amount of limiting desired. The limiter can also be
defeated for situations where upstream processors or other equipment
connected to the transmitter provide limiting. A pilot-tone squelch system
with user-adjustable squelch level helps minimize RF interference at the
receiver when the transmitter is turned off. A standard 3.5 mm locking
earphone jack allows the receiver to be used with a wide variety of
earphones and headsets. The exible receiver antenna is removable for
eld service or storage. The receiver operates using standard 1.5V AA
alkaline batteries with an 8-hour battery life. A built-in “battery fuel”
gauge on the receiver’s LCD display continuously shows the state of the
batteries. In addition, a ashing “Low Batt” on the display alerts the user
that the batteries are about to expire.
The supplied earphones are equipped with a proprietary Audio-Technica
dynamic driver offering a full frequency response and richly detailed
high-delity sound. The earphones come with three sizes of rubber
exible eartips and universal-t foam tips for a custom t, increased
isolation and long-wearing listening comfort.
Architect’s and Engineer’s Specications
The wireless IEM (In-Ear Monitor) system shall be designed to allow a
performer on stage to control and monitor audio signals over headphones
or earbud-type phones. The system shall consist of an FM transmitter and
one or more FM receivers. The transmitter shall transmit in stereo using
one of up to 1321 selectable frequencies. Up to 16 transmitters shall be
able to be used simultaneously within the same frequency band. The
transmitter shall be equipped with two XLR-
1
/
4
" combination connectors
designed to accept line-level audio signals either balanced or unbalanced.
Loop-through XLR-type outputs shall allow the audio signal to be routed
to another transmitter or other audio input with no degradation in signal
level or quality. Rear panel attenuators shall provide -20 dB, -10 dB and 0
dB of attenuation to allow the transmitter to be matched to a variety of
input signal levels. In addition, input trim level controls shall be provided
on the transmitter for gain adjustment. The transmitter shall provide visual
indication of operating frequency and audio input signal levels using a
backlit LCD display. The LCD display in conjunction with the transmitter’s
soft-touch controls shall be used for setup and conguration. The system
shall provide six pre-coordinated frequency groups of 16 channels. In
addition, it shall be possible for the user to select any one of up to 1321
available operating frequencies per band. Two selectable RF output levels
(10 mW/50mW) on the transmitter shall enable it to operate successfully
on small or large stages or in conjunction with other RF equipment such as
wireless microphones and other IEM systems. A front panel headphone
jack with independent level control shall be provided to allow the operator
to monitor the incoming audio signals. The antenna connection shall be
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Wireless In-Ear Monitor SystemM3 SystemFeatures• High-delity sound with clean, articulate mix allows performers to hear themselves clearly at low

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M3 Systemlocated on the rear of the transmitter. The antenna connection shall be 50 ohms designed to operate with standard antennas and wireless acces

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